(6 April 1595 - 23 March 1661) was a Dutch Golden Age painter and engraver born in England. He was baptized in the Dutch Reformed Austin Friars church in London. Little is known of his early training, but he probably traveled to Italy and in 1616 he became a member of the Haarlem Guild of St. Luke. He was a contemporary of Jacob Pinas. He married Geertuyt Huygen de Bie. During the years 1616-1627 he lived in Delft where he remarried after his first wife died. In the marriage notice, his wife Geertruyt de Roovere is from Amsterdam and he is from Delft. De Molijn was possibly a student of Esaias van de Velde. He taught several students, including Gerard ter Borch, Jan Coelenbier, Allart van Everdingen, Christian de Hulst, Anthony Molijn, Jan Nose and Jan Wils.De Molijn was known for his landscapes, but he also made genre pieces, marine scenes, portraits, and architectural pieces. This type of oeuvre is typical for the Italian-bound artists of his day, who paid their way as a jack-of-all-trades. De Molijn died in Haarlem on 23 March 1661.   Related Paintings of Pieter de Molijn :. | The Virgin and Child in a Rose Arbour | A Mill near St Ives (mk46) | The Beweinung | La Toilette | The Virgin and Child Enthroned, with Four Angels |
Related Artists:
Jusepe Leonardo
Spanish Baroque Era Painter , 1601-c.1652
Paggi, Giovanni Battista
Italian Baroque Era Painter, 1554-1627 .Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8),
Bartolomeo Caporali
(c. 1420-c. 1505 ; active 1454-1499) was an Italian painter born and active in Perugia. He painted a Madonna and Saints (1487) for the church of Santa Maria Maddalena at Castiglione del Lago.